Journal
TANN visits artist Simon Blume
We meet Simon Blume in his studio on a cold weekday morning, the kind where the city feels half-awake and everything smells faintly of coffee grounds and damp concrete. Before...
TANN visits artist Simon Blume
We meet Simon Blume in his studio on a cold weekday morning, the kind where the city feels half-awake and everything smells faintly of coffee grounds and damp concrete. Before...
Why Objects Still Matter
On Ownership, Care and the Slow Death of the Disposable We live in the age of the unsubstantial. Music is streamed, homes are rented, memories are stored on disappearing clouds....
Why Objects Still Matter
On Ownership, Care and the Slow Death of the Disposable We live in the age of the unsubstantial. Music is streamed, homes are rented, memories are stored on disappearing clouds....
The Comb: A Tool, A Totem
Since the earliest days of human craftsmanship, few objects have remained as consistent, as intimate, as quietly vital as the comb. Long before mirrors, before buttons, before books — there...
The Comb: A Tool, A Totem
Since the earliest days of human craftsmanship, few objects have remained as consistent, as intimate, as quietly vital as the comb. Long before mirrors, before buttons, before books — there...
The Crew
TANN was founded in Berlin by Christopher Brettingham-Smith and Johannes Weber with the intent to solve design problems, not just to decorate the world.
The Crew
TANN was founded in Berlin by Christopher Brettingham-Smith and Johannes Weber with the intent to solve design problems, not just to decorate the world.